Aladdin and the Wonderful Lamp, from The Arabian Nights - free release through The Classic Tales Podcast
The Arabian Nights originated in the oral folk tales
originating from India, Persia (Iran), Iraq, Egypt, and Turkey among others.
The original manuscript is now lost, consisting of a ninth-century text
translated into Persian called Hazar
Afsanah (A Thousand Tales). By
the end of the thirteenth century, the principal tales were compiled and
written down. The book’s Arabic title means Thousand
and One Nights. Over the years, the collections anonymous editors added new
tales to justify the title.
The French scholar Antoine Galland was the man instrumental
in bringing the tales to Western Culture, releasing his collection of Arabian
Tales in 1704. The text used for the Classic Tales Podcast releases of the
Arabian Nights tales are an English translation by H.W. Dulken, which is based
on Galland’s sweeping translation. There are several other remarkable
translations to date, perhaps the most notable being Sir Richard Burton’s translation (1885-1888). The Burton translation is said to have retained the
explicit erotic quality of the original text.
I have enjoyed The Arabian Nights for many years, and
creating the Aladdin audiobook has been a lot of fun. It’s very easy to follow,
and so completely transports you to the land of enchantment and wonder. I am
particularly fond of the way that women have strong roles in many of the tales.
In Aladdin, it is the Princess herself who saves Aladdin from the African
Magician through her bravery and daring, (of course she was following Aladdins plan). In Ali Baba, it is the slave girl,
Morgiana – not Ali Baba – who kills the forty thieves. This pattern is
consistent in many of the other tales. As I have sifted through many, many
classic titles, it is true that by and large they are often racist, sexist,
misogynistic, and many other things that make a modern audience squirm. While
there are still many of these things present in the Arabian Nights, I love to
find that there is a strong female character in many of the stories. We need more stories with a strong female lead. This is
also why Cinderella is my favorite Disney movie, because she actually chose to
be cheerful despite her wretched circumstances. Did she complain? No. As a result, she got a fairy
Godmother who granted her a few wishes… (Please see Cycle of the Hero)
The Disney film of Aladdin is basically a blatant ripoff of
the film A Thief of Baghdad, 1940.
The film is still a lot of fun, with Conrad Veidt as Jafar and Sabu as Aladdin.
The visual effects are of course, dated, but very advanced for the time. A new live-actionmovie of The Arabian Nights is slated for release in 2014. Dwayne Johnson is on
the cast list. That’s kind of all we know.
In a world where it seems that every culture is
misunderstood in some way or other, let’s enjoy a magic carpet ride through the
world of secret caves where rubies and emeralds grow on trees, and genies always
appear right when you need them most. Now on The Classic Tales Podcast –
Aladdin is free as a 5 part episodic series. Your journey awaits – you just
need to say the magic words.
The narrator is good and i would be tempted to purchase some of his audiobooks. But there is nowhere to be found a method to do so.
ReplyDeletePhil, please visit my online store at www.thebestaudiobooks.com. I have hundreds of titles at very, very low prices!
DeleteI really enjoyed listening to this version of Aladdin..though I loved the Disney version, this one was very entertaining for an audio version where I had to visualize every character.. thank you very much1
ReplyDeleteI very much enjoyed the podcast, as usual. I'm confused about something, though ... the Genie's reaction to the suggestion of hanging a Roc's egg in the palace. Is he saying that his Master is a Roc? Or Roc's egg?
ReplyDeleteOr is he just peeved because Aladdin's unsatisfied with his work, and comparing the insult to hanging up Aladdin (his Master at the moment) himself in the palace?
Any thoughts?
Puzzled,
Jaime Henriquez